The term stomp initially began with two buskers dazzling the streets of Brighton, UK with audio, their catchy overall performance hooking in bystaders to stop, watch, and listen. Created by Steven McNichols and Luke Cresswell in Brighton, UK, the music STOMP debuted within the Orpheum Theatre in February 1994. The music STOMP can also trace some of its roots to Booth Theatres erected at the Village Fairs in the Middle Ages and Renaissance period- an old custom in that period. Unlike any other music, STOMP challenges the concept of what constitutes audio. Eight nightly performers play simple and complex rhythms from everyday items, for example six foot poles, sand, brooms, lids, litres of water, and aluminum bins. Through dance and audio, the group collaborates with every other to play audio, as well as giving person self-expression. STOMP is a sensual combination of comedy, percussion, and dynamic movements. The musical STOMP is the unique construction of Steven McNichols and Luke Cresswell that captalizes on a ‘less is more’ premise. It’s a passionate production, not effortlessly classified into a particular musical or theatrical type. Via the absence of melodies, the audience listens to audio obtaining broken down into basics as eight chiseled and dynamic performers pound out rhythms with regular objects: poles, drumsticks, match boxes, water, brooms, bins, and lids. Ironically, the common high quality of these objects catapults STOMP to an artistic level unrivalled by other modern theatrical acts. The ease in which the cast manipulates their ‘instruments’ and body expands the imagination into a thrilling reality. Its set design is flashy and colourful at times; an elaborate metal construction highlights instruments which are struck by performers harnessed from the ceiling. This restriction frees the cast to use their feet, legs, and arms to create loud group rhythms which shake the rafters and audience with their intense, tribal rhythms. These in-your-face cadences are a potent avenue for person and collective expression, leaving numerous on the edge of their seats. STOMP’s lack of fancy performer garments keeps the focus on what truly counts: dance moves and music rhythms, which turn out to be much more intricate with every subsequent scene. Subtlety is also used to balance out these raw rhythms.One scene is centered around performers tapping six foot poles, as they stealthily circle the stage, almost preying on one another with their sly moves and rhythms. Their sense of connection is palpable and sensual, cast eye contact igniting the expectation, as you almost discover yourself questioning who is going to ‘win’ at this musical game. Yet, everyone wins, the audience even invited into the performance via a cast member who initiates a clap-and-response session. Approximately two hours in duration, STOMP keeps one’s attention, making you wonder how items usually reserved for math problems, cleaning, and construction projects can entertain and produce a powerful musical group dynamic. In this age of modern technology, STOMP is really a refreshing blend of primal instincts meeting musical genious, reminding us of the musical and rhythmic potential right under our noses. Discover more information about the musical and buyStomp Tickets on the internet